Not only that, but many of those parameters can be randomized to create pads that evolve organically without any immediately obvious pattern. The Wavestate picks up the same capability, including the ability to blend between four different complex wave sequences, and give each one unique characteristics and lengths. That allowed it to produce rich cinematic sounds (though with a distinct '90s vibe) with just a single key press. Part of what made the Wavestation so unique was its wave sequencing, in which several samples could be crossfaded together to create evolving timbres. Korg is ready to give it a go again with a spiritual successor called the Wavestate. There have been a few other vector synths (including the Korg OASYS) in the years since, but none have resonated with musicians quite like the Wavestation. But, it was also a very short lived family of instruments, being introduced in 1990 and discontinued in 1994. It was particularly well regarded for its pad sounds.
Its unique sound was all over the place in the early 90s, from Genesis, to Depeche Mode to the X-Files.
One of the most iconic vector synthesizers is the Korg Wavestation. There are countless different styles of synthesis, but one of the more rare and distinctive is vector synthesis, in which different sound sources are dynamically blended to give a sense of movement.
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